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      <image:title>about - ABOUT</image:title>
      <image:caption>Basil Arnould Price [he/him] is currently Assistant Professor of Queer and Medieval Literature at the State University of New York, Oneonta. Prior to joining the English department, Dr. Price was the inaugural John W. Baldwin Postdoctoral Fellow in the CMRS-Center for Early Global Studies at University of California, Los Angeles (UCLA). He received his PhD in Medieval Studies at the University of York in 2024, where he is now an Associate Researcher in the Centre for Medieval Studies. Basil’s interdisciplinary, intersectional research examines how emotion, political expression, sexuality, and racialized or queer embodiment intersect in the ‘decentered global North Atlantic’, specifically in the context of late medieval Iceland. His research and teaching interests include Old English and Old Norse-Icelandic literature, viking studies, colonialism and anti-/de-/post-colonialism, critical race and Indigenous studies, and trans* and queer theory. Basil is also an Associate Editor for the peer-reviewed journal Medieval Feminist Forum.</image:caption>
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      <image:title>research - Make it stand out</image:title>
      <image:caption>King Magnús Hákonarson, ÍBR 1 4to Jónsbók ; Ísland, 1681</image:caption>
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      <image:title>research - Thinking Trans in Medieval Fennoscandia</image:title>
      <image:caption>Grettisfærsla, AM 556 a 4to, Eggertsbók, Ísland, c. 1475-1499.</image:caption>
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    <lastmod>2024-07-27</lastmod>
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      <image:title>media - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>media - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>media - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>media - History in a Time of Polarization Workshop, Columbia University — Invited Speaker</image:title>
      <image:caption>I was honoured to be invited to take part in a virtual workshop hosted by The Medievalist Toolkit, a public history group founded by graduate students at Columbia University. This workshop brought together professionals from fields that deal with the violent far-right, with a focus on how hate groups have consistently drawn from memories of the medieval past in their recruitment efforts, and in recent years this retrospective look to the Middle Ages has only increased, particularly online. This workshop offered a setting for scholars, social workers, and journalists to share their unique viewpoints on how best to combat the use of the Middle Ages in right-wing radicalization, providing a forum for discussion and problem solving.</image:caption>
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    <image:image>
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      <image:title>media - Performing Magic in the Premodern North - Keynote Address</image:title>
      <image:caption>I was invited by the Performing Magic in the Premodern North working group to deliver a keynote address for their inaugural conference. My talk, entitled “Fantasy as Resistance in Later Medieval Iceland’ moved from A Streetcar Named Desire to the Old Norse-Icelandic sagas to theorise the intersection between queerness and magic, as well the desire for alternative relationalities inherent to both. The twelfth and thirteenth-century Íslendingasögur (family sagas) are often lauded for their ‘realism’ Yet scholarship has perceived a supposed ‘decline of realism’; in the so-called ‘postclassical sagas’: the Íslendingasögur presumably composed after the collapse of the independent Icelandic commonwealth in 1262-1264 .Despite recent interrogations of whether the ‘postclassical’ sagas are measurably more fantastic than earlier Íslendingasögur, this essay asks whether the postclassical Íslendingasögur might, like Blanche DuBois, embrace magic as a particularly queer form of critique.</image:caption>
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